One Secret Nearly Had Me Drop My Violin
One lesson, while reviewing playing Paganini’s G Minor Caprice (#16), for Milstein the subject of holding the violin came up.
” Let the violin rest on your left hand,” he said, after which, seated in a large armchair, he proceeded to play the Caprice with the violin resting on his chest, not even his shoulder! It was breathtaking, and I was dumbfounded!! He was — it was like magic. Here he was moving all over the violin with zero any gripping action from his chin and shoulder.
When I attempted to duplicate his feat I nearly dropped my violin.
He then explained to me that it wasn’t necessary to play the 16th Caprice with the violin on one’s chest, or without any assist from chin and shoulder, what was important was to develop a balanced, efficient left hand. As I became aware and sensitive of this truth my left hand became more fluid, my tone more even, my intonation more finely tuned than ever before.
And as worthwhile as this one point was, it was only a penny’s worth compared to the abundance of insight I received.
Over many years I lived with and tweaked all Milstein had told me. I enjoyed a very successful career. Then I brought it all to bear using the Kreutzer Etudes and Caprices as a vehicle for mastering violin technique. These principles have benefited my students and colleagues alike — in fact, the results can only be described as inspiring and PROOF that my unique approach works, and works fast.
Now let allow me to tell you how a master’s approach to playing this program has been invaluable throughout my life as a professional “first call” film recording artist.
Making Movies Come Alive in Hollywood

Clayton Haslop with Michael Giacchino (The Incredibles, Mission Impossible III, Ratatouille)
Imagine yourself sitting concertmaster of an orchestra of 100 elite musicians. You’re not on a concert stage, but rather in the dark, cavernous sound stage of a major motion picture studio. A red light has just illuminated above. It’s been only minutes since you were given the piece of music you are about to record. The part contains several pages of cascading 16th notes. Suddenly, you hear 4 fast clicks coming through an earphone attached to your right ear…
Well, I think you get the idea. Yet This is this was a reality I face faced on a regular basis for more than 3 decades.
And many of the same skills needed in that high-stakes environment are what Milstein sharpened to a fine edge and what make makes playing the violin really fun and rewarding, no matter what your aspirations are. Professional. Student. Dedicated Amateur. It makes no difference. You always want your ‘game’ to be the best it can be.
Who is Kreutzer for Violin Mastery for?
It’s for the busy professional violinist who is pressed to learn new music efficiently and completely.
It’s for the dedicated amateur who is looking to ignite their passion.
It’s for the serious student who is eager to raise the level of his or her game.
It’s for the teacher who is open to a refreshing view take on violin pedagogy.