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Getting the Whole Picture
Had a couple of interesting responses to yesterday’s newsletter, ‘To Record, or Not to Record.’ One of our subscribers wrote of Heifetz nit-picking his recordings. I’ve got a story about that one. The other observed how recording oneself may be more valuable for the musical light it sheds, rather than exposing technical imperfections. That one […]
How to Play With Feeling
This morning I received an email that really got me. Have a quick look; Dear Mr.Haslop, I am learning to play the violin for the past one year. This weekend my teacher said I play all the notes correctly, but I give nothing to the music. He says I don’t feel the music. How do […]
Your Left Hand’s Dance Partner
You all must remember the Fred Astaire film in which he dances with a coat rack. It’s iconic in dance movie history. I just can’t recall the name of the picture. The point is, though, if you remember that dance you will recall not only how wonderfully he danced, but how beautifully he made the […]
Avoiding the California Stop
Those of you that drive know what I’m talking about, namely a ‘stop’ that isn’t really a stop. I do them myself now and then, shame on me! Of course it’s one thing to bend the rules a little bit when you know you’re in full control of a situation – I don’t do California […]
How to Surrender Tension
Oo-Wee, just finished a very exhilarating practice session. The kind of session that gives back more energy than was put in. And I put in a lot today. What I explored very deeply in the hour was just what the title of this email suggests; how to SURRENDER tension. Many violinists experience some form of […]
The Best Laid Plans
On rare occasion, as you well know, even the best-laid plans have a way of going awry. Learning to deal with these bumps in the road is one of our greatest challenges, both as human beings and violinists. Not long ago I told you about a concert I once played where my pre-concert warm up […]
Why the Mind Must Lead
I trust you are having a wonderful Labor Day Holiday. It is good to honor the brave men and women that have stood up for safe working conditions, an honest wage, and all the other good and just benefits a hard worker should be blessed with. So, why must the mind lead? And how does […]
How I Practice
Yesterday was a day for seeing the Scottish landscape. From our digs at the base of picturesque Loch Lomond we drove north along it’s western shore; then we bore north-west over the rugged and dramatic mountains that separate the interior from the sea; and finally, we tumbled down to Loch Fyne and drove it’s northern […]
What’s Good for Your Playing
Some of you may recall that several months back I said that Milstein felt tennis was a good sport for a violinist. And this is true, to a point. Tennis does require you to use the whole arm to strike the ball, and that does compliment the ‘Russian School’ of bow technique. But the real […]
Put Your Fingerings to the Test
When I was a much younger lad, I spent a few years studying with Eudice Shapiro at the USC School of Music. When I arrived there I was very gung-ho and jumped right in by preparing several works on my own, only taking them to her after I’d done a considerable amount of practice. As […]
What Gets My Goat
First off, I send my greetings today from Loch Lomond, in the Northern Kingdom of Scotland. Spent the better part of yesterday at a real Scottish wedding, complete with bagpipes and lots of men running around in skirts. I kept my pants on. But I’ll tell you thing, these Scots do know how to party! […]
Lift Up Thine Fiddle
If you’re a violinist, I suppose the next best thing to lifting up thine eyes to the heavens would be lifting up thine fiddle to the heavens. Only thing is, I would ask you to do it with your left hand and not your shoulder, or chin. You see, there is still a little resistance […]
A Little Down-Shift Secret
As you know, I’m of the school that the violin should be supported in large part by the left hand, with minimal pressure exerted by either the chin or the shoulder. I pick the violin up out of the case with my left hand and just rest the lower bout on my shoulder and collar-bone. […]
When It Doesn’t Just Happen
Yesterday I received an email from a woman in her sixties who has made excellent progress on the violin in three short years. She is, however, having some difficulty cultivating a vibrato, and asked my advice on the subject. Previously she had been told that it would ‘happen naturally.’ Well, it hasn’t and she asked […]
How to Sharpen Your Vision
No, I’m not going to tell you to eat more carrots, clean your glasses, or consider Lasiks surgery. It’s vision of the musical sort I’m talking about today. And for it you don’t need those two, miraculous orbs in the front of your head. Musical vision really takes place within the theatre of the mind, […]
Keeping Your Fiddle Ship-Shape
During my stay in Vermont I happened into the very excellent violin shop in Burlington. Good thing I did. After playing one of the luthier’s own instruments I remarked, ‘You know, the strings feel a little low on this instrument.’ He did a quick check on them, said they were spot on, and then measured […]
When to Belly Breathe
First things first, I’d like to thank all the people who have written in these past few days. I’ve had some wonderful responses to recent newsletters about the goings on in Vermont, and violin matters in general. Time has not permitted me to respond to each and every one, but rest assured, they have been […]
All the Passion, and Solid as a Rock
Greetings from Newark airport. Last night I completed the last of my performing duties at the Vermont Mozart Festival by playing the Mendelssohn Concerto, in picture-perfect conditions, on the grounds of the Trapp Family Lodge in Stowe, Vermont. Yes, the same Trapp family of ‘The Sound of Music’ fame. After leaving Austria the family eventually […]
When at first you don’t succeed
Today’s title is the beginning of an old adage. Let me give you the whole thing, in case you’ve never heard it. ‘If at first you don’t succeed, try, try, try again.’ Like any such ‘saw’, it can be true, and it can be untrue. After all, as Einstein one said, insanity can be defined […]
Keeping Your Legato Pure
There are few things in this world more pleasing than a truly legato line played well on the violin. If you can do this deceptively simple thing you will never lack for enthusiastic listeners hanging on your every turn of phrase. But, as I said, this is a deceptively simple task to accomplish. It requires […]
A Trail Lesson
Yesterday I arrived in Vermont to begin final preparations for the 5 consecutive days of concerts I will play beginning on Wednesday evening. Actually on Sunday I play two different performances, so in all it’s actually six concerts and some ten or so rehearsals. If you’ve been reading lately you already know something of the […]
Move Through Your Fear
I understand that one of the great fears many people have today is that of performing before other people. A couple weeks ago, just days prior to the Novice/Intermediate masterclass, I received a phone call from a participant who was having a severe case of cold feet over this very thing. Naturally I persuaded him […]
A Must Read, from Clayton
Today I’m announcing the dates of the next two Masterclass/Seminars. But first, I’m so worked up from the practice session I just finished I’ve got to tell you about it. A little background – In two weeks I will be at the Vermont Mozart Festival where my duties will include performing the D and A […]
Pliancy Rules
If you were reading between the lines in yesterday’s newsletter, you probably got the significance of the today’s title, ‘Pliancy Rules.’ But before I continue I want to thank all of you that have written, in recent days. I appreciate all your support, comments and questions. I do try to respond to as many as […]
Left Hand Intelligence
You know, in all my teaching, the recent masterclasses included, I can count on one hand the number of people who did not have an issue with tension in the left hand. Part of this I think stems from a misunderstanding of proper relationship the fingers of left hand should have with the strings. We’re […]
The Violin Mastery Fraud
Received something in my mailbox over the weekend that gave me pause for thought. Not much pause, really, but I thought you might like to have a look since it sums up the cynic’s view of my courses – Its quite obvious, by the way, that the fellow doesn’t own one. Here is what he […]
How to Measure Up
Putting your ‘practice’ out in the public eye can be a risky thing to do. After all, my recorded-at-home wonder of the #24 is right next to Heifetz’ glitzy 1940’s production with accompaniment. So, does it measure up? Well, for me it depends on my mood. Sometimes I can look at the performance as a […]
French Sizzle
There’s no doubt the French have made a big contribution to the Art of the Violin. But I bet I’ve got a Frenchman in my fingers that would be the envy of almost all of you. His name is Jean-Joseph Mondonville – how’s that for a name – and he was the talk of Paris […]
The Proof is in the Pudding
Last Wednesday the first copies of ‘Paganini for Violin Virtuosity’ left our doorstep for destinations both near and far. By today there must be many getting a taste of the ‘pudding’ that lies inside. I hope it satisfies beyond expectation. Now, for those of you still unconvinced by what you’ve read, I’ve some news. My […]
Left Hand Intelligence
You know, in all my teaching, the recent masterclasses included, I can count on one hand the number of people who did not have an issue with tension in the left hand. Part of this I think stems from a misunderstanding of proper relationship the fingers of left hand should have with the strings. We’re […]