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Regarding Your Audience…
Some time ago I was at a concert in Los Angeles given by principles of the LA Phil. The playing was really quite good. Some of the stage presence was really quite not. At the end of the performance the violist decided it was time to have a chit-chat with the cellist. Problem was, he […]
The Power of Breath, Part 2
I have been thinking, and breathing, further. Thought you ought to know the rest. The real ‘letting go’ part of the belly breath is the intake. Take a breath – a real breath – and notice what must happen. Your abdominal muscles must release to allow your internals to get out of the way. This action […]
The Power of Breath
Was flipping through a music catalogue last night checking to see what new instructional DVD material there is out there. One that caught my eye focused on ‘techniques for playing more relaxed.’ Well, let me tell you. There is just one thing you need to know to be completely, utterly, and totally relaxed. And that […]
Einstein On Playing The Violin
Many of you know that Einstein played and loved the violin. Well, what you may not have know, I didn’t, is something my wife told me a couple days ago. Einstein credited his violin experience – specifically periods of improvisation – with leading to some of his greatest insights. Remarkable, yes, but not unbelievable. And those […]
A ‘Fiddler’ Goes To Hollywood
As this communication reaches you today I will be in the midst of a music scoring session for a brilliant film entitled, ‘All The Kings Men,’ starring Sean Penn and an incredible supporting cast. It looks to be an outstanding piece of work. The music accompanying the live action will be equally memorable. Composed by […]
Know Your Fingerboard, By Feel
Many years ago a well-known violinist was walking the streets of a major European city. As he passed a small but elegant hotel he heard the familiar sounds of the Tchaikovsky Concerto coming from the second floor suite. The strange thing was, although it was being played exquisitely, it was all sounding one half step […]
Kreutzer, Paganini, and Bach
Some months ago, before beginning my ‘Kreutzer project’ I worked out pretty exclusively on Paganini and Bach. And I mean Worked Out. I had a set of 12 Caprices I played daily along with the Bach Chaconne and other movements from the various Sonatas. Once I got started on the Kreutzer project I added the […]
Put ‘Hunting-Lion’ Focus In Your Practice
We’ve all seen and been held, riveted, by footage of big cats on the hunt. The focus and concentration of those magnificent animals is truly awesome at such times. Truth is, lions have such concentration because their very survival depends on it, plain and simple. Natural selection has done its work to perfection. Only those […]
It’s A Trilling Experience
In ‘early music’ days – pre-baroque – trills were referred to as ‘shakes.’ I find it somewhat ironic, actually, because as a student I was always cautioned against shaking my left hand when trilling. There is a good reason for this. The problem with shaking your hand – in effect using vibrato – to produce […]
Shift, Don’t Schlep
Those of you working with my course will perhaps know by now that a shift is a decisive move, made with the arm, from one position to another. That being said, it is possible to be highly expressive with the movement. Obviously it is in slow tempos that a portamento – expressive slide – becomes […]
The Hidden Power Of Sound
Today’s newsletter is going to be a little bit different. Usually I write about matters specifically related to the violin. Today I would like to draw your attention to the broader subject of how our bodies and minds are affected by the sounds in our environment. Most of us just accept and try to tune […]
Don’t Be Cute With Your Mute
Got a note from one of my online friends regarding ‘mute’ practice. He writes; ‘I love (and sometimes have to) practice with a mute. I find that when I switch back to playing without a mute my ear and bow pressure have to go through some adjustments. Do you find that you go through the […]
Beauty ‘On The Threshold Of Sound’
It was a phrase Dan Lewis used often when he wanted members of the USC Symphony to play really quietly. And when he spoke it was in a stage whisper, barely audible but incredibly intelligible. Those days were quite a few moons ago for me, but the phrase has remained in my memory as unforgettably […]
The ‘Knee-Jerk’ Repetition
Is this something you do? You’re playing along, and then, oops, a mistake. Immediately you jump back to a point just before the breakdown and come at it again. Darn, same mistake. You do it again. And again… Sound familiar? Most of us have been there. The knee-jerk reflex to immediately repeat a passage in […]
Mr. Kreutzer, Mr. Milstein, and Mr. Kreisler
Let me start by thanking those that have taking time to write in with feedback and thoughts lately. They are appreciated. Yesterday I got a note from a new subscriber by the name of Vuc. Welcome aboard, my friend. He wrote; ‘Since you knew Milstein, could you tell me if Kreutzer was part of his […]
Send Mediocrity Packing
Recently I was sent an old film clip of none other than Jasha Heifetz doing an outrageous imitation of a mediocre violinist. Surrounding Heifetz, while he gave this little performance, was a small class of elite players, they were all shaking with laughter. What made it funny, and also kind of sad, for me was […]
You Want More Practice Time, But…
Today I spent a good amount of time in two airports, as my wife, four your old daughter and I made our way back from a very stimulating set of meetings in Tampa, Florida. In the airports we were bombarded with CNN’s coverage of the latest Middle East blowup. I mean, it’s like some sort […]
‘It Just Flows To Go You’
A couple of days ago I wrote that great fundamentals were ‘inherently musical.’ Well, I’ve been a thinkin’ further about ‘musical’ fundamentals, specifically about how they trigger the release of ‘feel good’ neuro-transmitters, in you, and your listeners. Take drawing a clear, effortless tone on the violin. To do so, you yourself must be relaxed […]
How ‘Tartini Tones’ Can Sharpen Your Intonation
It is a footnote in music history now, but Giuseppe Tartini earned himself some lasting fame in part due to his conscious use of an acoustical phenomenon. When you play 3rds and 6ths on the violin, especially on the A and E string where the effect is most audible, you will hear, if you listen […]
Mozart Said, ‘Anything Can Be…’
Mozart said, ‘Anything can be ventured in music, provided it is beautiful, and inherently musical.’ I love that quote. It says a lot and yet leaves much to the imagination. Today, when it spontaneously sprang to mind, it was in the presence of other thoughts that were flowing through my mind. I was thinking about […]
A Dramamine…Please
Recently, a violinist came to play for me, and I almost had to leave the room due to motion sickness. Now, before I go further, let me just say that what I am going to describe is more common in players today than white tails on a rabbit farm. Well, that might be a slight […]
Shine A Bright Light On Your Shifts
This morning I received an email from a fellow by the name of Jordan. He had a question about rapid shifting. Here’s what I had to say to him. Jordan, Visualization, maintaining your hand position, being ‘present’, and staying relaxed are key to successful shifting. When we are faced with difficult moves on the violin, we […]
Goin’ Slow, Goin’ Fast
The other day I received an email from a very trusted source on physical fitness. He talked of the importance of training slow, and training fast. Same principles apply in violin training. The secret is knowing when and how to do both. First, slow practice. Most violinists don’t spend enough quality time playing slowly, it’s that simple. […]
CBS News Plays To A New Tune
As I sit writing this to you I am at 35,000’ and being jetted through the sky at 500 mph. No, unfortunately I am not on my own private aircraft, at least not yet. I’m on my way back from LA, though, and I thought you might enjoy one insider’s view of the music scoring […]
Getting the FUN Into Your Practice
In its broadest sense, ‘fun’ can cover a lot of ground. It can refer to spontaneous moments of delight, the experience of exhilaration, a growing expectation of reward, the feeling of achievement, or just basic physical pleasures. Simply put, however, the more fun you have, and the more types of fun you have in your […]
Singing With Our Hands
Yesterday my wife, 4 year old daughter and I attended a performance at an international festival of folk music and dance. It was a remarkable event. Ten groups performed representing all seven continents – and the festival is based right here in Western North Carolina. What struck me, as a violinist, is that the best […]
Practice Sessions That Change Your Life
Many people today, and there may be a few of you reading this email, are feeling that life is passing them by, and that few of their dreams are being realized. If this is not you, then you needn’t read further. Now then, if you are still with me, let’s talk. Last night I was […]
Getting the Notes But Missing the Music
As many of you know, I do a lot of recording for films. Maybe 80% of the time it’s pretty easy stuff – read it and get it down on tape. It’s the other 20% I want to talk to you about today. You see, it’s in the challenging music that the priorities of a […]
Turn a Light On Stage Fright
There are indeed few of us who have no fear of performing in front of people, especially if those people are sitting in judgment, as, say, at an audition or competition. By the way, when I told Nathan Milstein of my intention to play at the Flesch competition he shook his head in disgust and […]
Beware the Violinist’s ‘Autopilot’
You have done it, I have certainly done it, virtually all of us have done it at one time or another. You know what I am talking about. Picking up the fiddle and playing through something with no conscious thought whatsoever. The fingers and bow moving as if by magic; muscle memory at the helm. […]