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When Your Practice Begins
I would venture to say that most violinists think that their practice sessions begin after the violin the case has been opened, the violin tuned, the music set out on the stand, and the first note has been drawn. Not me. My practice sessions begin in the very instant the decision to practice has been […]
Magnify Your Intentions, Part II
Just looked up the definition of ‘intention’. He’s what it says about it in my Webster’s – ‘a determination to act in a certain way.’ Now let me tell you what I did in my practice session this morning. I processed, and I trotted. Sounds odd, doesn’t it; but here’s what I really accomplished. I enlisted […]
Have No Fear When Shifts Are Near
A student of ‘body language’ knows that a person telling you a lie, especially a child, will have great difficulty looking you in the eye when doing so. It’s simply a natural instinct within us to avoid, or deny, what causes us discomfort. For most of us lying is quite uncomfortable. This reflex plays out […]
Magnify Your Intentions
Put very simply, the strength and quality of your intentions are what determine the level of success you will enjoy on the violin. Of this, I am absolutely convinced. To illustrate this critical point, let me share something very personal. It’s the latest chapter in an ongoing challenge that many of you know I’ve been […]
Puts Fight or Flight Down for the Count
If you’ve ever experienced the ‘fight or flight’ response prior to going before the public you may find this interesting. One fellow subscriber asks if I do the counting technique in performance. You bet I do. In fact, I regard it as a kind of ‘life-line’ to all my valuable preparation when the heat is […]
A Time to Rebuild
I was thinking today – yes, I do it occasionally – and thought the gist of it might make sense to you. Let’s say you’ve lived in a house for quite a few years. You love the location, but the house itself just isn’t your dream home. And you’re ready for it. Problem is, your […]
A Musical Healing
I’m happy to report that last night’s premiere of Tania’s 3rd string quartet was indeed a resounding success. As I mentioned previously, the commission was funded by the estate of a dearly loved member of the Tucson community. About 20 family members and friends traveled, from as far away as Honolulu and New York City, […]
How Orchs Can Ruin Your Day
It’s a dirty little secret conductors don’t want you to know; playing in an orchestra can have a deleterious effect on your violin playing. Now granted, under a particularly excellent conductor the gravitational effects will occur somewhat slowly and unnoticeably. But after a while you awake to find your intonation is no longer pure and sparkling. […]
The Possibilities in a Moment
Yesterday Tania and I visited with friends. Being music lovers they asked me to play. Now, just to give you some context, we’d gotten together to do a little planning for a seminar on ‘prosperity thinking’, which will be conducted in Asheville next month by a very wise fellow named Peter Ragnar. Our conversation had […]
Put a Spider on Your Strings
No, I’m not trying to trigger your ‘fight or flight’ response, just give you an image to better inform your left hand. A few mornings ago I managed a little jog in the hills surrounding our house. It had been a while. As usual I did a lot of visualizing as I ran. Those of […]
How To Snuggle Your Neck
I’m not talking about snuggling Your neck, but rather the neck of your violin, and with your left hand. Yes, a nice warm, fuzzy feeling that brings relaxation and fluidity to your playing. This morning I put a couple of ‘bonus chapters’ on the Vol. 3 instructional DVDs. The first, something many subscribers have sought […]
Why Violin Mastery Doesn’t Work
Believe it or not, there are people who will get nothing from my courses. I hope you’re not to be one of them. But just for the sake of argument, let me make a case for such a person. Oh yea, I’ll give him a name; how ‘bout Liaf. Liaf, ‘I believe the breathing exercise […]
Why Violin Mastery Doesn’t Work
Believe it or not, there are people who will get nothing from my courses. I hope you’re not to be one of them. But just for the sake of argument, let me make a case for such a person. Oh yea, I’ll give him a name; how ‘bout Liaf. Liaf, ‘I believe the breathing exercise […]
Unleash the Majesty Within
As you know, I’ve been spending a great deal of time in a nursing care facility this week. During this time I’ve seen much that is sad and regrettable. I’ve also had some marvelous, and heart-warming experiences. On Thursday I gave a short recital for some of the permanent residents at the facility; the ones […]
Levels of Memory
It’s kind of humorous to look back on, but at the time the following little anecdote was not in the least bit funny. It had one useful benefit, however. It changed forever the way I prepared to play from memory. Here’s what happened. Back in my ninth year of school, I was selected to be […]
Violin, Come to Me
I’ve been having a bit of an ongoing dialogue of late with a subscriber by the name of Theresa. She’s something of a skeptic, it seems, and she wonders whether ‘Kreutzer for Violin Mastery’ can help her. She believes her main challenge to be tension in her left hand. Well, there is much said in […]
Haydn’s Color Chart
In yesterday’s email I stopped short of where I was meaning to go. I thought it was going to get a little too esoteric. However, this morning I received an email from my friend Nicolo, and his interest and enthusiasm drives me forward. So Nicolo, this one is for you. A few years ago the […]
Forget Getting Real, Get Relative
I few days ago I received an email from a gentleman in India. Being well acquainted with physics he followed what I had to say about resultant tones and tuning very carefully. But he did have a question. He noted that we can achieve perfect tuning of the open strings by the resultant tones – […]
Growing Your Sense of Discipline
It seems to me discipline has gotten a bad rap over the years. Often today it’s seen as a sentence to drudgery, to self-containment, and obligation. Well, my friend, I don’t see it that way. It’s like the difference between real gold and ‘fool’s gold.’ Where there’s real discipline there is intelligence and growth. Where the […]
A Weekend to Remember
I don’t know about you, but Martin Luther King weekend 2007 will be one I’ll remember for a long time to come. And I think it safe to say each attendee at the Violin Artistry Masterclass/Seminar would tell you the same thing. We’re talking a plethora of truly ‘Eureka’ moments. The eye openings you could […]
The Invisible Bow Change
Over the years have heard plenty of poppy-cock where it comes to the dos and don’ts of bow changes. Let me just give you a couple of examples. One, lightening the pressure of the bow on the string just before you make a change will make for a smoother bow change. It is true that […]
One Myth That Rattles My Cage
Your playing along in an ‘allegro’ movement, and you come to a longish note – lets say a half note – that’s tied over to another beat for a sixteenth note. Immediately after this tied sixteenth you’re to proceed with string of quick sixteenths. Now, conventional wisdom states that one should tacet, or rest the […]
Have A Trilling Experience
In ‘early music’ days – pre-baroque – trills were often referred to as ‘shakes’. Now I find that somewhat ironic because as a student I was always cautioned against shaking my left hand when trilling. There’s actually quite a good reason for this. The problem with shaking your hand – in effect using vibrato – […]
No Violin Worshipper
Yesterday I enjoyed a note from a subscriber who shared some details of his violin acquisition. He then asked the following question; ‘Just how important is the instrument (violin/bow) to a concert violinist?’ Let me begin by relating 2 famous stories. In the first Jascha Heifetz was once entertaining well wishers in his dressing room […]
The 3 Pillars of Violin Playing
Many people talk about a ‘God given talent’ when it comes to playing the violin. I think, rather, that a good mind, the ability to tie your shoes, and a few guiding insights may suffice to fool an awful lot of people. You see, I the process of playing the violin is much like a […]
No Violin Worshipper
Yesterday I enjoyed a note from a subscriber who shared some details of his violin acquisition. He then asked the following question; ‘Just how important is the instrument (violin/bow) to a concert violinist?’ Let me begin by relating 2 famous stories. In the first Jascha Heifetz was once entertaining well wishers in his dressing room […]
A Richer Experience
This morning my wife had some research results up on the computer. Research having to do with how we process music. Pretty interesting stuff. What I found particularly fascinating is how the cerebellum becomes activated in the process of listening to music. The cerebellum is most frequently associated with coordinating physical movement. After your brain […]
Mr. Slow Motion
When I was a rambunctious lad, perhaps a few years ago, I loved gliding across the ice at our local skating rink. And every time I stepped on the ice there was one man – he was always there – who caught my eye. He was an African American fellow, but that’s certainly not why […]
Doing What You Fear
A few years back I was invited to perform with one of our better ‘community’ orchestras in Los Angeles. Under normal circumstances I would think nothing of such an invitation; this one was different. The conductor had his heart set on one concerto. A concerto I had only toyed with now and again over the […]
How to Think in Gestures
Just had a very productive practice session, and thought you might be interested in the following insights that came to me. When playing fast moving passage work, try thinking in terms of visual gestures. For instance, scales can flow like fast moving water. Broken arpeggios like cascading water. In fast moving 16th note passages – I […]